• About us
  • Donate
Saturday, May 2, 2026
  • Login
  • Register
The African Theatre Magazine
  • Home
  • Our Stories
    • News
    • Reviews
    • Features
    • People
    • Essays
  • About us
    • About us
    • Our Team
    • Get Involved
  • Contact Us
No Result
View All Result
The African Theatre Magazine
  • Home
  • Our Stories
    • News
    • Reviews
    • Features
    • People
    • Essays
  • About us
    • About us
    • Our Team
    • Get Involved
  • Contact Us
No Result
View All Result
The African Theatre Magazine
No Result
View All Result

Kwasha! Theatre Company’s ‘Peeling Shadows’ is Gritty, Unconventional Theatre!

Tonderai ChiyindikobyTonderai Chiyindiko
November 23, 2020
in Reviews
0
Share on FacebookShare on TwitterWhatsapp

Kwasha! Theatre Company’s Peeling Shadows, which has just ended a limited run at the Market Theatre is one of those productions which utilizes so many unconventional theatrical elements that one is left amazed at just how they were able to put it all together and make it all work!

Whilst on the one part it is a production which relies on story as all good productions do, the use of various theatrical elements such as those from shadow theatre, where the actors are behind a curtain and projected by light adds another layer to an already engaging narrative.

Furthermore, the use of slides to represent space and spaces and be the map through which the actors move from one space to another is something yet to be encountered in theatre productions and it embellishes the texture of the story to stratospheric heights.

Kwasha! Theatre Company’s Peeling Shadows at the Market Theatre (Photos by Hoek Serathlwale)
Kwasha! Theatre Company’s Peeling Shadows at the Market Theatre (Photos by Hoek Serathlwale)

See also: Cantiamo, an Operatic Musical Extravaganza!

Peeling Shadows is a production that cannot be accused of being a run-on-the-mill ‘type theatre’ which either relies too heavily on dialogue or action, and Kwasha! Theatre Company has to be commended for how they refuse to be defined by what has come before them!

What makes it even more compelling and refreshing is that there is no overindulgence on any one element and the multiplicity of theatrical elements utilised means that there is something for everyone which is not always the case for local theatre productions.

With the protagonists being a little girl who is lost and a blundering detective added together with a sputtering of odd characters who seem zombie-like and on some level presented as grotesque, this story is not just another crime mystery but also draws focus on things such as corruption and how society is in desperate need of some kind of redemption from the many challenges which it is confronted with.

Kwasha! Theatre Company’s Peeling Shadows at the Market Theatre (Photos by Hoek Serathlwale)
Kwasha! Theatre Company’s Peeling Shadows at the Market Theatre (Photos by Hoek Serathlwale)

See also: Vuka Machel is a physical theatre masterclass!

The versality of the cast both in how they execute taxing physical postures and still manage to play their characters is something to be commended and when one looks at the production as a whole there is no doubt Kwasha! Theatre Company is carving a path for a different kind of theatre which is something desperately needed to bring audiences back to the theatre!

As a groundbreaking collaboration between Market Theatre Laboratory and Windybrow Arts Centre, the Kwasha Theatre Company project proves that investing in young thespians to not only experiment but put up work is key to theatre’s continued relevance as it will need to draw new audiences who are not straitjacketed by the old conventions which for so long have been the hallmark of theatre in South Africa.

Peeling Shadows directed by Joel Leonard and featuring Mosie Mamregane, Sboniso Thombeni, Wonder Ndlovu, Upile Bongco, Dintshitile Mashile was produced in collaboration with the Market Theatre Laboratory and the Windybrow Arts Centre and was on at the Market Theatre from 30 October to 8 November 2020.

 

Continue Reading
Tonderai Chiyindiko

Tonderai Chiyindiko

Tonderai Chiyindiko is a part-time arts writer and contributor. He holds a B.A honours degree in drama from the University of Zimbabwe and a Masters degree in Applied Drama from University of the Witwatersrand in South Africa. He has been part and parcel of the theatre-verse both as an actor and director and more generally worked extensively within the cultural and creative industries sector in various capacities.

Related Posts

Ambition and Obligation in This Season’s Harvest
Reviews

Who Wants to Dance With Death?: Ambition and Obligation in This Season’s Harvest

May 2, 2026
90
Ku kyooto Rekindles the Fire of Legacy at the Uganda National Theatre
Reviews

Ku kyooto Rekindles the Fire of Legacy at the Uganda National Theatre

May 2, 2026
69
So Over the Rainbow is written by Mike Van Graanwill, directed by Dion Van Niekerk and performed by Rondo Mpiti-Spies. (Photos by Jonny Cohen)
Reviews

So Over the Rainbow: A Review

June 21, 2025
230
Next Post
IMG 7189 scaled

The Red Femicycle: Gender Based Violence in Sharp Focus

Discussion about this post

More Reads

  • People
  • Opinion
  • Festivals
  • Reviews
Facebook Twitter Instagram Youtube LinkedIn TikTok

Support The African Theatre Magazine

Become a partner/Sponsor our work.

[email protected]

  • About us
  • Contact Us
  • Donate
  • Privacy Policy
  • Terms & Condition

© 2023 - The African Theatre Magazine - Developer.

No Result
View All Result
  • Home
  • Reviews
  • Features
  • People
  • News
  • Opinion
  • Get Involved
  • Donate

© 2023 - The African Theatre Magazine - Developer.

Welcome Back!

Login to your account below

Forgotten Password? Sign Up

Create New Account!

Fill the forms below to register

All fields are required. Log In

Retrieve your password

Please enter your username or email address to reset your password.

Log In
  • Donate
  • Write