Namibian theatre is stretching its limbs and dusting off its stage lights, preparing to welcome a new generation of theatre lovers, beginning with the smallest ones. On 19 and 20 August, The Naughty Little Flea, a charming children’s production, will leap onto the stage of the National Theatre of Namibia (NTN), delighting young audiences and marking an important moment in the theatre’s mission to make storytelling more accessible to all.
Directed by NTN’s Artistic Director Nelago Shilongoh, this two-hander brings to life a timeless tale that is as playful as it is meaningful. Starring Ndayola Ulenga as the mischievous flea and Kuzajatu X Maamberua as the long-suffering dog, the production is devised with children aged 3 to 6 in mind, though parents and teachers may find themselves giggling just as much.
At the heart of the play is a complicated but loving friendship. The flea, full of energy and laughter, takes great joy in jumping on the dog’s back, much to the dog’s growing frustration. What starts as innocent play becomes a test of boundaries, teasing, and tolerance. Through music, movement, and vibrant storytelling, the production gently explores deeper themes like friendship, kindness, and navigating differences; even when someone gets under your skin, quite literally.
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“The itchier the dog gets, the more the flea giggles with glee.” But beneath the laughter lies an honest reflection of how children experience the push and pull of friendship, the misunderstandings, the apologies, and the important lessons in empathy and communication.
While the story may seem like a lighthearted romp, it’s rooted in a rich cultural tradition. The Naughty Little Flea is based on a Jamaican folklore that has been passed down through generations, particularly among African diasporic communities. It became internationally recognised after legendary South African singer Miriam Makeba popularised the song version in 1964. Yet, this staging by the NTN is not simply a musical rendition, but a fully realised theatrical production that breathes new life into the folklore.
Shilongoh’s directorial touch is a significant reason why this staging matters. Her work has long focused on creating space for African storytelling that resonates with local audiences, particularly children, who have historically been overlooked in Namibia’s theatrical landscape.
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The decision to produce a work for toddlers and early learners comes at a time when Namibian theatre is showing signs of revival. After the challenges of the COVID-19 pandemic and years of inconsistent support for live performance, many local practitioners and institutions are starting to rebuild, reimagine, and reconnect with audiences.
Theatre lovers believe this resurgence is both timely and necessary. “Namibian theatre has been quietly evolving. What we’re seeing now is a growing desire to reclaim our spaces and tell our stories, not just for adults, but for our children too. This play is part of that return.” Says Amor Tjituka.
Casting two dynamic performers like Ulenga and Maamberua in a production for young children also reflects this renewed energy. Both actors are known for their physicality, warmth, and stage presence, all crucial traits when performing for a notoriously honest audience: toddlers.
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The production promises to be an interactive experience, with moments that invite children to respond, clap, and even help solve problems alongside the characters. For schools and families looking to introduce their little ones to theatre in a meaningful way, this show offers an accessible, joyful entry point.
The Naughty Little Flea is more than a children’s play. It’s a small but important leap forward, not just for the flea, but for Namibian theatre as a whole. It’s a signal that the stage is once again a place of curiosity, community, and creativity.
And in this story, the flea might be naughty, but the lessons are anything but trivial.
Performances of The Naughty Little Flea are free at the National Theatre of Namibia on the 19th and 20th of August.
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