• About us
  • Contribute Content
  • Donate
Saturday, September 12, 2026
Subscribe
The African Theatre Magazine
  • Home
  • About us
    • About us
    • Our Team
    • Get Involved
  • Our Stories
    • News
    • Reviews
    • Features
    • People
    • Opinion
  • Contact Us
No Result
View All Result
The African Theatre Magazine
  • Home
  • About us
    • About us
    • Our Team
    • Get Involved
  • Our Stories
    • News
    • Reviews
    • Features
    • People
    • Opinion
  • Contact Us
No Result
View All Result
The African Theatre Magazine
No Result
View All Result

Metsi: A Tapestry of Creativity

Tonderai ChiyindikobyTonderai Chiyindiko
November 6, 2021
in Reviews
0
Share on FacebookShare on TwitterWhatsapp

Metsi, staged at the State Theatre is a daring and brave production in how it includes elements of dance, music and drama into one tapestry of creativity. In doing this, it creates two worlds which are seemingly unconnected but which at various intervals connect and as the characters navigate these worlds they are often seemingly dealing with both the physical and metaphysical world concurrently.

In taking a love story and having it retold through dance, the narrative becomes much more nuanced and richer and makes for a compelling production.

See also: You Will Never Walk Alone: A Story of Resilience and Hope

Though at times it does come off as a bit overwritten, the story itself is familiar yet strange/fresh due to how the creative talents of van Tonder and Noko come together to make this a worthwhile evening of theatre.

Dancers Xolisile Bongwana and Thulisile Binda feature in Metsi written and directed by Hannah van Tonder (Photos by Mpilo Zondi)
Dancers Xolisile Bongwana and Thulisile Binda feature in Metsi written and directed by Hannah van Tonder (Photos by Mpilo Zondi)

The set itself is another layer in how it depicts a barren landscape yet one which contains this odd love story between two characters who could not be more different if they tried.

Using Metsi both in its literal and other meanings is both clever and engaging, though the repetitions of both water and the garden, which also is part of the set sometimes do come off as tacky and unimaginative.

See also: The Women Making Waves in Theatre in Africa Part 1

Van Tonder and Noko are fast making a name for themselves as a creative force having also collaborated on Bleed, The Coin, Kroes Hare, The Cursed Vagina and Kwaito in Sluighuis among other productions.

The dancing duo of are also not new and audiences will remember them from their double-bill show which played at TX Theatre in Tembisa, while the actor has appeared in numerous productions such as Angola Camp 13 among others.

Actors Balindile ka Ngcobo and Abongile Maurice Matyutyu, in Metsi directed by Hannah van Tonder (Mpilo Zondi)
Actors Balindile ka Ngcobo and Abongile Maurice Matyutyu, in Metsi directed by Hannah van Tonder. (Mpilo Zondi)

Metsi was meant to have been showcased live but due to Covid-19 had to debut on the South African State Theatre’s streaming platform in addition to featuring on the main programme of the National Arts Festival which was also streamed, though all the productions were pre-recorded.

See also: Sparky: Engaging Theatre for Children and Young Adults

Metsi is also one of the productions which have benefited from the partnership between the South African State Theatre and Ster Kinekro Theatres and will be screened from 19 November – 12 December 2021.

Metsi was written by and directed by Hannah Nokwazi van Tonder, with dramaturgy and music composition by Paul Noko and Choreography by Phumlani Nyanga. It featured actors Balindile ka Ngcobo and Abongile Maurice Matyutyu, and dancers Xolisile Bongwana and Thulisile Binda. It was produced by Sketch Productions and was at the South African State Theatre in Pretoria from 1 – 5 October 2021. It will be screened in Ster Kinekor cinemas from 19 November – 12 December 2021.

Tonderai Chiyindiko

Tonderai Chiyindiko

Tonderai Chiyindiko is a part-time arts writer and contributor. He holds a B.A honours degree in drama from the University of Zimbabwe and a Masters degree in Applied Drama from University of the Witwatersrand in South Africa. He has been part and parcel of the theatre-verse both as an actor and director and more generally worked extensively within the cultural and creative industries sector in various capacities.

Related Posts

An Evening of Kwagh-Hir: Recreating the Tales by Moonlight (Photos by Ayomide Ezekiel)
Features

An Evening of Kwagh-Hir: Recreating the Tales by Moonlight

September 11, 2026
25
Austine Onuoha’s National Cake is a bold, humorous play.
Reviews

It’s A National Cake, Let Us Laugh, For We Cannot Cry

August 13, 2026
91
Wano Waife: Interrogating Social Realities and Dialogue on the National Theatre Stage
Features

Wano Waife: Interrogating Social Realities and Dialogue on the National Theatre Stage

June 26, 2026
96
Next Post
Thembinkosi Chagwe plays Shaka. Credit Mpilo Zondi. scaled

In Shaka Zulu: The Gaping Wound, the Past is Present

Discussion about this post

More Reads

  • People
  • Opinion
  • Features
  • Reviews
Facebook Twitter Instagram Youtube LinkedIn TikTok

Partners and Collaborators

Support The African Theatre Magazine

Become a partner/Sponsor our work.

[email protected]

  • About us
  • Donate
  • Write
  • Subscribe
  • Contact Us

© 2026 - The African Theatre Magazine - Developer.

No Result
View All Result
  • Home
  • About us
    • About us
    • Our Team
    • Get Involved
  • Our Stories
    • News
    • Reviews
    • Features
    • People
    • Opinion
  • Contact Us

© 2026 - The African Theatre Magazine - Developer.

Subscribe to Our Newsletter

Receive weekly African theatre stories.

Write